Installation view of Louise Bourgeois: An Unfolding Portrait. There seems to be a problem with the connection. Please try again soon.We apologize. In the clip, Bourgeois is seen turning the book’s pages, patting and smoothing them as she views the volume from beginning to end. Available for sale from Carolina Nitsch Contemporary Art, Louise Bourgeois, Self Portrait (1994), Dry point, etching and aquatint on paper, 68.5 × 49.5 cm
Floor Three, The Edward Steichen Galleries, and Floor Two, The Donald B. and Catherine C. Marron Atrium Press Preview: Tuesday, September 19, 2017, 9:30–11:30 a.m. NEW YORK, August 7, 2017—The Museum of Modern Art’s Louise Bourgeois: An Unfolding Portrait, on view September 24, 2017, through January … MoMA EXPLORES LOUISE BOURGEOIS’S PRINTS AND BOOKS, A LITTLE- KNOWN YET INTEGRAL COMPONENT OF HER PRACTICEWith Some 300 Works, the Survey Sheds New Light on Bourgeois’s Creative Process and Places Her Prints and Illustrated Books in the Context of Related Sculptures, Drawings, and PaintingsFloor Three, The Edward Steichen Galleries, and Floor Two, The Donald B. and Catherine C. Marron AtriumNEW YORK, August 7, 2017—The Museum of Modern Art’s Louise Bourgeois: An Unfolding Portrait, on view September 24, 2017, through January 28, 2018, is the first comprehensive survey of Bourgeois’s prints and illustrated books. During the 1990s and 2000s—when Bourgeois was in her eighties and nineties—she made prints a part of her daily practice. There seems to be a problem with the connection. Photo by Martin Seck for the Museum of Modern Art © 2017 The Easton Foundation/Licensed by VAGA, NY. There seems to be a problem with the connection. Please try again soon.We apologize. Born in 1911, she had an impressively long career, culminating with her death in 2010 at the age of 98, “seven years more than Picasso had and, like him, she worked almost to the end,” as described in Bourgeois’s printed oeuvre, a little-known aspect of her work, is vast in scope and comprises some 1,200 printed compositions, created primarily in the last two decades of her life but also at the beginning of her career, in the 1940s. She filled this book with fabric collages made from bits and pieces of her old garments; stains, scorches, and cigarette burns testify to their histories. Special features allow for comparing works and zooming in on details. They vary from architectural forms to growth and germination in nature, from the human body and sexuality to motherhood, and even include symbolic abstraction. There seems to be a problem with the connection.
Please try again soon.We apologize. MoMA has a prized archive of this material, and the exhibition will highlight works from the collection along with rarely seen loans.Bourgeois said there was no “rivalry” between the mediums in which she worked, noting that “they say the same thing in different ways.” At MoMA, her prints and illustrated books will be seen in the context of related sculptures, drawings, and paintings, and within thematic groupings that explore motifs of architecture, the body, and nature, as well as investigations of abstraction and works made from old garments and household fabrics.Bringing together some 300 works, the exhibition celebrates MoMA’s archive of Bourgeois prints as well as the completion of the online catalogue raisonné, We apologize.
Installation view of Louise Bourgeois: An Unfolding Portrait. Please try again soon.We apologize. Installation view of Louise Bourgeois: An Unfolding Portrait. Louise Bourgeois: An Unfolding Portrait MoMA’s expertly curated exhibition of Bourgeois’ prints rescue the artist from her legend, revealing her drawings to have incubated, formulated and unleashed the emotions that would be entrapped in the fame of her sculpture. The Museum of Modern Art is featuring a retrospective of her work in the show “Louise Bourgeois: An Unfolding Portrait.” The Museum of Modern Art, New York, September 24, 2017–January 28, 2018. There seems to be a problem with the connection. Please try again soon.Installation view of Louise Bourgeois: An Unfolding Portrait. It places these mediums within the context of the artist’s overall practice and sheds new light on her creative process. Please try again soon.We apologize.
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