s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. Youre going to be like, huh. Or youll just be like, That makes total sense to me., At the top of the mountain On Being with Krista Tippett is about focusing on the immensity of our lives. But I also feel a little bit out of practice with this live event thing. But I think theres so much in this poem thats about that idea that the thesis thats returned to the river. God, which I dont think were going to get to talk about today. Its still the elements. And I knew immediately that it was a love poem and a loss poem. No, to the rising tides. Would you read this poem, The End of Poetry, which I feel speaks to that a bit. Im really longing I realized as I was preparing for this, Im just Of course, I read poetry, I read a lot of poetry in these last years, but I realized Im craving hearing poetry. I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats . The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. Tippett: So I feel like the last one Id like for you to read for us is A New National Anthem, which you read at your inauguration as Poet Laureate. Replenishment and invigoration in your inbox. Why are all these blank spaces? It has silence built all around it. Just uncertainty is so hard on our bodies. And if you cant have hope, I think we need a little awe, or a little wonder, or at least a little curiosity. And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. I mean, I do right now. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. Its repeating words. I think thats very true. And one of them this is also on The Hurting Kind is Lover, which is page 77. And so I gave up on it. , and its a villanelle, so its got a very strict rhyme scheme. So it was always this level in which what was being created and made as he was in my life was always musical. So how to get out? Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. And you could so a lot of what he knew in Spanish and remembered in Spanish were songs. two brains now. I feel like I could hear that response, right? I mean, thats how we read. Nov 19, 2022, 8:00pm PST. We hold each other. On Being with Krista Tippett. has lost everything, when its not a weapon, when it flickers, when it folds up so perfectly, you can keep it until its needed, until you can, love it again, until the song in your mouth feels, like sustenance, a song where the notes are sung. And I knew immediately that it was a love poem and a loss poem. I guess maybe you had to quit doing that since you had this new job. We understand questions as technologies and virtues as social arts. Im really glad youre enjoying it because theres many more decades. So would you read, its called Before, page 46. But each of us has callings, not merely to be professionals, but to be friends, neighbors, colleagues, family, citizens, lovers of the world. That is real but its not the whole story of us. We are fluent in the story of our time marked by catastrophe and dysfunction. It makes room for all of these things that can also be It holds all the truths at once too. So I think thats where, for me, I found any sort of sense of spirituality or belonging. about being fully human this adventure were all on that is by turns treacherous and heartbreaking and revelatory and wondrous. And then in this moment it was we cared for each other by being apart. She is a former host of the poetry podcast. Perhaps And then I would say in terms of the sacred, it was always the natural world. We read for sense. And I wonder if you think about your teenage self, who fell in love with poetry. And then I would say in terms of the sacred, it was always the natural world. I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. You said there in a place, as Ive aged, I have more time for tenderness, for the poems that are so earnest they melt your spine a little. The wonder of biomimicry. And it often falls apart from me. What Amanda has been gathering by way of answers to that question is an extraordinary gift to us all. And I wonder if you think about your teenage self, who fell in love with poetry. several years later and a changed world later. In me, a need to nestle deep into the safekeeping of sky. And it was this moment of like, Oh, this is abundance. Limn: I think its definitely a writing prompt too, right? We are located on Dakota land. You should take a nap. [laughter] I know its cruel. Sylvia gifts us this teaching: that nurturing childrens inner lives can be woven into the fabric of our days and that nurturing ourselves is also good for the children and everyone else in our lives. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. Flipboard. And we all have this, our childhood stories. For me, I have pain, so Ive moved through the body in pain. Or theres just something happens and you get all of a sudden for it to come flooding back. (Unedited) The Dalai Lama, Jonathan Sacks, Katharine Jefferts Schori, and Seyyed Hossein Nasr with Krista Tippett. In a political and cultural space that rewards certainty, ferments argument, and hastens closure, we nourish and resource the interplay between inner life, outer life, and life together. red helmet, I rode No, question marks. And I think there was this moment where I was like, Oh, Im just sort of living to see what happens next. And the grief is also giving me a reason to get up. Dont get me wrong, I do, like the flag, how it undulates in the wind. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. Weve come this far, survived this much. Find more of her poems, along with our full collection of poetry films and readings from two decades of the show, at Experience Poetry. to pick with whoever is in charge. What was it? I almost think that this poem could be used as a meditation. Before the apple tree. Yeah, I had a moment where I hadnt realized how delighted I was to go about my world without my body. . In fact, Krista interviewed the wise and wonderful . Theres this poem which Ive never heard anybody ask you to read called Where the Circles Overlap, Tippett: In The Hurting Kind. [laughter] I was so fascinated when I read the earlier poem. And I was in the backyard by myself, as many of us were by ourselves. A season of big, new, beautiful On Being conversations is here. This is amazing. And for us, it was Sundays. Black bark, slick yellow leaves, a kind of stillness that feels abundance? It brings us back to something your grandmother was right about, for reasons she would never have imagined: you are what you eat. Once it has been witnessed, and buried, I go about my day, which isnt, ordinary, exactly, because nothing is ordinary, now even when it is ordinary. But you said I dont know, I just happened to be I saw you again today. What if we stood up with our synapses and flesh and said, No. And then you can also be like, Im a little anxious about this thing thats happening next week. Or all of these things, it makes room for all of those things. Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. Discoveries about the gut microbiome, for example, and the gut-brain axis; the fascinating vagus nerve and the power of the neurotransmitters we hear about in piecemeal ways in discussions around mental health. Limn: I love it. Each of us imprints the people in the world around us . the date at the top of a letter; though I am too used to nostalgia now, a sweet escape, of age. and buried, I go about my day, which isnt, ordinary, exactly, because nothing is ordinary I think there was also he also was a singer, so he would just sing. Because I was teaching on Zoom, and I was just a face, and I found myself being very comfortable with just being a face, and with just being a head. But its also a land that is really incredibly beautiful and special and sacred in a lot of different ways. My familys all in California. It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limns publisher, Milkweed Editions. And then it hits you or something you, like you touch a doorknob, and it reminds you of your mothers doorknob. We hold each other. Why dont you read The Quiet Machine? And they would say, I dont want to go to yoga. And I was like, Why? And they said, I just dont want anyone telling me when to breathe. [laughter] But its true. Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. How to make that more vibrant, more visible, and more defining? And its page six of The Hurting Kind. Limn: I think its very dangerous not to have hope. And so I gave up on it. Tippett: Something I remember reading is that you grew up in an English-speaking household, but your paternal grandfather spoke Spanish and that you just loved to listen to him. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. And I think about that all the time. The bright side is not talked about. When you find a song or you find something and you think, This. I am a hearth of spiders these days: a nest of trying. This is science that invites us to nourish the brains we need, young and old, to live in this world. Alice Parker is a wise and joyful thinker and writer on this truth, and has been a hero in the universe of choral music as a composer . I feel like theres so many elements to that discovery. Tippett: I dont expect you to have the page number memorized. I have your books, and theres some, too. The poets brain is always like that, but theres a little I was just doing the wash, and I was like, Casual, warm, and normal. And I was like, Ooh, I could really go for that.. [laughs] And I think Id just like to end with a few more poems. We prioritize busyness. The Pause is our Saturday morning ritual of a newsletter. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. It wasnt functional in a way. Yeah. Musings and tools to take into your week. And coming in future weeks, is a conversation with a technologist and artist named James Bridle, whose point is that language itself, the sounds we made and the words we finally formed, and the imagery and the metaphors were all primally, organically rooted in the natural world of which we were part. Limn: Right. Limn: That you can be joyful and you can actually be really having a wonderful time. And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? A season of big, new, beautiful On Being conversations is here. She hosts the On Being podcast and leads The On Being Project, a non-profit media and public life initiative that pursues deep thinking and moral imagination, social courage and joy, towards the renewal of inner life, outer life, and life together. And its true. a finalist for the National Book Award. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. [laughter] But I mean, Ive listened to every podcast shes done, so Im aware. Yeah. Cracking time open, seeing its true manifold nature, expands a sense of the possible in the here and the now. song. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. There is also an ordinary and abundant unfolding of dignity and care and generosity, of social creativity and evolution and breakthrough. Free shipping for many products! Limn: Not the Saddest Thing in the World, All day I feel some itchiness around Tippett: Okay. we never sing, the third that mentions no refuge And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? I mean, I do right now. Theres whole books about how to breathe. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. On Being with Krista Tippett December 6, 2016. my brother and my husband to witness this, nearly clear body. And then in this moment it was we cared for each other by being apart. love it again, until the song in your mouth feels I just saw her. So Im hoping. The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. Limn: Yeah, I was convinced. Krista Tippett; Filtrer Krista Tippett Voir les critres de classement. So that even when youre talking about the natural world: we are of it not in it. Every Thursday a new discovery about the immensity of our lives and frequent special features like poetry, music and Q + A with Krista. the collar, constriction of living. Tippett: Was there a religious or spiritual background in your childhood there, however you would describe that now? Between Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. Editor's note: This Q&A has been adapted from the podcast "Interfaith America with Eboo Patel.". I want to say first of all, how happy I am to be doing something with Milkweed, which I have known since I moved to Minnesota, I dont know, over a quarter century ago, to be this magnificent but quiet, local publisher. My body is for me.. And it felt like this is the language of reciprocity. and isnt that enough? Tippett: And that is so much more present with us all the time. Find many great new & used options and get the best deals for Becoming Wise: An Inquiry into the Mystery and the Art of Living by Krista Tippe at the best online prices at eBay! so mute its almost in another year. And Im sure it does for many of you, where you start to think about a phrase or a word comes to you and youre like, Is that a word? Youre like, With. The On Being Project is located on Dakota land. We inhabit a liminal time between what we thought we knew and what we cant quite yet see. I have, before, been, tricked into believing What. [audience laughs] But instead to really have this moment of, Oh, no, its our work together to see one another. So well just be on an adventure together. I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. and the stoic farmer and faith and our father and tis And now Tippett has done it again. [laughs]. I was like, Oh. Then I came downstairs and I was like, Lucas, Im never going to get to be Poet Laureate.. And were at a new place, but we have to carry and process that. Silence, which we dont get enough of. Tippett: No, theres so much to enjoy. Shes teaching me a lesson. With. It suddenly just falls apart, and I feel like there are moments that I travel a lot in South America, with my husband, and by the end of the second week, my brain has gone. In generational time, they are stitching relationship across rupture. Because I couldnt decide which ones I wanted you to read. Before the ceramics in the garbage. And is it okay for me to spend time looking at this tree? And I would just have these whole moments when people would be like, Oh, and then well meet in person. And I was like, , I dont want you to witness my body. Tippett: I love that. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. And poetry is absolutely this is not something I knew would happen when I started this but poetry now is at the heart of. I remember having this experience I was sort of very deeply alone during the early days of the pandemic when my husbands work brought him to another state. Tippett: I do feel like you were one of the people who was really writing with care and precision and curiosity about what we were going through. It is the world and the trees and the grasses and the birds looking back. And that between space was the only space that really made sense to me. and snowshoes, maple and seeds, samara and shoot, And the Q has the tail of a monkey, and weve forgotten this. I grew up in Glen Ellen in Sonoma, California, born and raised. Can you locate that? And whats good for my body and my mental health. All of those things. Limn: Yes. I write. This hour, Krista draws out her creative and pragmatic inquiry: Could we let ourselves be led by what we already know how to do, and by what we have it in us to save? For her voice of insistent honesty and wholeness and wisdom and joyfulness. But I love it. And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. Return like a word, long forgotten and maligned. Unknown. There is so much actionable knowledge in the tour of the ecosystem of our bodies that Kimberley Wilson takes us on this hour. That arresting notion, and the distinction Rachel Naomi Remen draws between curing and healing, makes this an urgent offering to our world of healing we are all called to receive and to give. Yeah. Limn: Yeah. The caesura and the line breaks, its breath. This is not a problem. until every part of it is run through with But in the present era of tribalism, it feels like weve reached our collective limitations Again and again, we have escalated the conflict and snuffed the complexity out of the conversation.. I write the year, seems like a year you thing, forever close-eyed, under a green plant. So I think were going to just have a lot of poetry tonight. Henno Road, creek just below, and gloss. So Sundays were a different kind of practice, if you will, a different kind of observation. teeth right before they break A season of big, new, beautiful On Being conversations is here. even the tenacious high school band off key. Copyright 2023, And if youd like to know more, we suggest you start with our. For me, I have pain, so Ive moved through the body in pain. a need to nestle deep into the safekeeping of sky. And poetry, and poetry. Its repeating words. joy, foundational, that brief kinship of hold What, she asks, if we get this right? but I was loved each place. Page 87. Tippett: And then Joint Custody from The Hurting Kind. This conversational nature of reality indeed, this drama of vitality is something we have all been shown, willing or unwilling, in these years. I wrote it and then I immediately sent it to an editor whos a friend of mine and said, I dont know if you want this. And it was up the next day on the website. But I think the biggest thing for me is to begin with silence. The On Being Project is located on Dakota land. Limn: and you forget how to breathe. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. If you had thought about it And you said that this would be the poem that would mean that you would never be Poet Laureate. It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limns publisher, Milkweed Editions. And so, its so hard to speak of, to honor, to mark in this culture. We elevate voices of wisdom and models of wise thinking, speaking, and living. people could point to us with the arrows they make in their minds. Limn: Yeah, there wasnt a religious practice. are your bones, and your bones are my bones. [laughs] Oh my. Like, Oh, take a deep breath. Then we get annoyed when it works, too. And I remember sitting on my sofa where I spent an inordinate amount of time, and reading it. So my interest, when I get into conversation with a poet, is not to talk about poetry, but to delve into what this way with words and sound and silence teaches us about being fully human this adventure were all on that is by turns treacherous and heartbreaking and revelatory and wondrous. But its about more than that. reading skills. Tippett: And you have said that you fell in love with poetry in high school. And I always thought it was just because I had to work. In all kinds of lives, in all kinds of places, they are healers and social creatives. could save the hireling and the slave? Which makes me laugh, in an oblivion-is-coming sort of way. And that between space was the only space that really made sense to me. Was there a religious or spiritual background in your childhood there, however you would describe that now? But mostly were forgetting were dead stars too, my mouth is full That its not my neighborhood, and they look beautiful. The fear response, the stress response, it had so many other kinds of ripple effects that were so perplexing. I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. My grandmother is 98. the world walking in, ready to be ravaged, open for business. But in reality its home to so many different kind of wildlife. They are honoring and recovering the fullness of the human experience the life of the mind, the truth of the body, the wild mystery of the spirit, and our need for each other. And the title comes from when youre planting a tree and youre looking for where the sun is the right space, you can draw where the circles are, and theyll tell you to plant where the circles overlap. Tippett: Ada Limn is the 24th Poet Laureate of the United States. I think thats very true. 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